Jewish Stock Photography Fails

by Terri & Ariela

The world of stock photography is an inherently odd place to visit. Where else can you get photos of kitchen demolition side by side with any flower you could possibly think of? 

Themed stock photos can get... interesting. Just typing "$_HOLIDAY Stock Photos" into a Google Image search can set off nightmares or fits of giggles. Really, there are things that should never be Earth Day themed. But when you start searching for stock photography of non Christian religious holidays, the photos don't just look strange, they look like an alien's attempt to pass as a Hyoo-man. For example, there seems to be a compulsive need to put either matzah, a tallit,* or a Ḥanukkah menorah in almost all of them to scream JEWISH very loudly. Even if the image is tagged for a holiday containing none of these ritual objects or foods. Like Tu B'Shvat.**

Ariela's day job involves email marketing for the Union for Reform Judaism. This means finding images to go in said emails and results in her spending a lot of time combing through stock image catalogs, particularly around Jewish holidays. This, in turn, led to her IMing Terri in fits of disbelief so that someone else could share in the WTF-ery.

But why should we limit the horror to just the two of us? So we present: Bad Jewish Stock Photography. And when we say bad, we mean REALLY BAD.

We have not included images in this post that are just mis-tagged, like when you search for Passover and get Easter results. That's wrong and sometimes offensive, but not what we're listing here. All photos are watermarked with the image source, unless we can no longer find them at the source. We acknowledge that this post is very image heavy. The captions contain the best descriptions we can write, the commentary on the images is in the body text of the blog post below them.

And yes, we know about this article in The Forward. But that photo isn't even the tip of the Jewish stock photography fail iceberg. It's a small chip off the glacier.

Image shows an open Hebrew prayerbook on a stand, a blue velvet kippah with silver embroidery, a ḥanukkiyah with all its candles lit, and a folded tallit with black and silver stripes.

Image shows an open Hebrew prayerbook on a stand, a blue velvet kippah with silver embroidery, a ḥanukkiyah with all its candles lit, and a folded tallit with black and silver stripes.

This one originally came from iStock, but can no longer be found there. The lit ḥanukkiyah with the tallit is bad enough - a tallit is worn during the day and the ḥanukkiyah is lit only at night - but if you look closely at the text of the open book, it is open to the evening service for Yom Kippur, i.e. not a text you would ever need at Ḥanukkah. Anyone who knows any Hebrew could have told them not to do this.
This was the photo that originally inspired Ariela to do an ongoing series on bad Jewish stock photography.

Image shows a wood framed slate with "HAPPY PASSOVER" written on it in stylized chalk lettering. Surrounding the frame clockwise from noon are: pieces of square machine made maztah, un-shelled walnuts, a red-brown haggadah, red tulips with yellow st…

Image shows a wood framed slate with "HAPPY PASSOVER" written on it in stylized chalk lettering. Surrounding the frame clockwise from noon are: pieces of square machine made maztah, un-shelled walnuts, a red-brown haggadah, red tulips with yellow stripes, a wine glass on its side with a splash of wine still left, a bottle of pink wine on its side, a stack of three round hand made matzahs on a white cloth, more un-shelled walnuts, a leaf of lettuce with an egg on it, and more tulips.

It's Passover, not Easter. Why the tulips? Also, why is a mostly drunk wineglass lying on its side? How is that happy?

Image shows an older balding man wearing a tallit and holding an open siddur standing next to a table. To his left is a seated woman with short hair, to her right is a young boy in a sweater vest, button down shirt and Hanukkah themed suede kippah. …

Image shows an older balding man wearing a tallit and holding an open siddur standing next to a table. To his left is a seated woman with short hair, to her right is a young boy in a sweater vest, button down shirt and Hanukkah themed suede kippah. To the right of the older man is a seated man in a long sleeved polo shirt with a red satin kippah. There is someone seated next to this man, but the image cuts off everything but some arm in a blue sleeve. On the table is a silver plate with square machine made matzah and an unlit ḥanukkiyah with all of the arms holding blue and white striped candles.

The image description for this photo on Thinkstock is "Parents and their son and a rabbi at a Hanukkah ceremony." Just what is a Hanukkah ceremony, pray tell? There is very little to say about this image that the provided description doesn't cover. The words, they escape us.

Image shows a tallit with blue and gold stripes over white painted wooden slats. Positioned over the tallit are (clockwise from top): glass bowl with honey and wooden dipper, two broken sheets of square machine made matzah, a ḥanukkiyah lying flat o…

Image shows a tallit with blue and gold stripes over white painted wooden slats. Positioned over the tallit are (clockwise from top): glass bowl with honey and wooden dipper, two broken sheets of square machine made matzah, a ḥanukkiyah lying flat on its side, a shofar, and a silver kiddush cup partially filled with wine and sitting on a silver coaster.

The only thing this picture illustrates effectively is "We have no meaningful understanding of Jewish holidays."

Image shows a lit red pillar candle sitting on the pages of an open Hebrew prayerbook.

Image shows a lit red pillar candle sitting on the pages of an open Hebrew prayerbook.

No. Just no. You might wish to pray by candlelight, but if we ever catch you with a lit candle on your siddur, we will hurt you.

Image shows a tallit with blue and gold stripes on a rough wooden surface. Arranged on and beside the tallit from left to right are: a teal suede kippah with a silver border, 4 mostly empty silver kiddush cups in a diagonal line, and a shofar.

Image shows a tallit with blue and gold stripes on a rough wooden surface. Arranged on and beside the tallit from left to right are: a teal suede kippah with a silver border, 4 mostly empty silver kiddush cups in a diagonal line, and a shofar.

Once again, juxtaposition fail. One does wear a kippah to the Passover seder, but not a tallit. And a shofar isn't a Passover ritual object at all.

Image shows a blue and gold striped tallit (with atarah showing this time, for variety) on wooden slats. Over the tallit are (from left to right): a shofar, a black suede kippah with a gold border embossed with Jewish stars, and matzah. Once again, …

Image shows a blue and gold striped tallit (with atarah showing this time, for variety) on wooden slats. Over the tallit are (from left to right): a shofar, a black suede kippah with a gold border embossed with Jewish stars, and matzah. Once again, juxtaposition fail.

This is a whole genre. See more here

The Crown Jewel of the Collection

This has been scrubbed from all the stock sites we could find. We don't blame them. What the heck were they thinking?

Yes, that is a model of the Ark of the Covenant positioned next to a piggy bank sporting clovers and "good luck" painted on its side. The two are positioned so that the carrying rod of the ark appears to be jammed up the piggy's butt.

There was another in this same series that showed the same model of the Ark perched on the top of someone's foot with what appeared to be an industrial site in the background. We don't understand.

We have never run across any other Jewish Stock Photography fail so egregious, and we hope we never will.

 

*Prayer shawl worn by Jewish adults during daytime services. It is only ever worn at night once a year, on the eve of Yom Kippur.

**The 15th day of the month of Shvat (lunar month, generally falls around February). Often referred to as "Jewish Arbor Day," the Talmud lists this date as "the new year for trees." In the Mediterranean, this is often the beginning of springtime. It is celebrated by eating dried fruit and planting trees.

 

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Off For Passover!

by Terri

Tonight begins the Jewish holiday of Passover, or פסח in Hebrew. As this post goes live, I am in a car on my way to my mother's home in New Jersey for the seders. Ariela is in Boston with her parents. While we will be accepting orders, shipment will be delayed until after the holiday is over on April 18. There will be no blog post next Monday. 

Normal business (including our April product release) will resume on April 19. For those celebrating, we wish you a חג כשר ושמח.* Everyone else, enjoy your bread. We'll see you on the other side.

Chibi Terri cooks for Passover. (Chibis are really not proportioned to stand at stoves.)

Chibi Terri cooks for Passover. (Chibis are really not proportioned to stand at stoves.)

*Khag Ka-sher Vi-Sa-me-akh - A happy and kosher/correct holiday

 

My Garden, Let Me Show You It

by Terri

A collage of washcloths, tawashi,* and a bath mat in progress

A collage of washcloths, tawashi,* and a bath mat in progress

The tail end of winter in Boston can drive me a little nuts. The weather gets warm, then cold, then it dumps a whack of snow on you in mid-March. I cope with this in one of two ways. Either I start a bunch of knitting projects, or I start some seeds. This year, I went on a washcloth knitting binge AND started 5 small trays of seeds.

I'm an incredibly amateur gardener. I pretty much choose seeds based on "will the resultant plant produce edible food" and "will that food look pretty.**" Hence my ordering of purple basil seeds, choggia beets, three different colors of cherry tomato, and multiple colors of pod beans & snow peas. My garden is run on the principles of watering when I remember to and fertilizing sometimes. I'm usually really good about starting seeds and shepherding them to seedling stage, then getting them into pots. Typically, small animals will get the seedlings, then I go to a nursery and buy bigger ones. Eventually, the plants will produce very small amounts of fruit or vegetables, which we will eat as they are picked. 

I'm trying a little something different this year. I'm being helped by the prolonged cold snap, as I can't actually plant out any of the seedlings that are trucking along on my office window. I'm trying to leave the seedlings indoors as long as possible, to ensure that robust plants are what go outside. Also, it's nice to have some green in the office.

So here's my garden. I'm hoping to enjoy it more in the coming months:

Incredibly shaky panoramic image of all the seedlings on the windowsill. There are cucumber, squash, pea, tomato, shallot, carrot, scallion, beet, various herb and flower seedlings poking up their heads.

Incredibly shaky panoramic image of all the seedlings on the windowsill. There are cucumber, squash, pea, tomato, shallot, carrot, scallion, beet, various herb and flower seedlings poking up their heads.

Close up on the pea seedlings. I have a feeling that these will do just fine, and that they'll be accompanied by some wonderful friends. There's also a cucumber seedling.

Close up on the pea seedlings. I have a feeling that these will do just fine, and that they'll be accompanied by some wonderful friends. There's also a cucumber seedling.

 

 

*Tawashi is the Japanese word for small cotton cloths used for face cream and makeup remover. I'm trying to knit my own and thus not need to go through throwaway cotton pads.

**Seed catalogs are my nemesis. 

Be Back on Wednesday...

by Terri

Image shows 5 Mardis Gras** masks over many strings of beads.

Image shows 5 Mardis Gras** masks over many strings of beads.

Ariela is making her way back from London and I have just thrown my very first Purim seudah.* Thus, a short blog post accompanied by festive graphics and a slightly hung over Artist Wrangler. We will be back on Wednesday for March's Product Release!

Somebody get me two aka-seltzer and an economy size bottle of Advil....

 

 

 

 

*The festive meal that we are commanded to have on the holiday of Purim. Traditionally one invites friends to partake in copious amounts of food and alcohol. There were certainly both in abundance at my table.

**While Purim isn't precisely analogous to Mardis Gras, the mask is a recognizable symbol of the holiday, and Mardis Gras has a similar amount of festivity.

All Art Is Political

by Terri

"At this point, assume all art is political unless proven otherwise" ~ me

Image is text that reads "Assume all art is political until proven otherwise. Then question that proof."

Image is text that reads "Assume all art is political until proven otherwise. Then question that proof."

I'm angry a lot these days. I'm angry at the government, I'm angry at everyone who doesn't understand just how dire the situation is. But a special sort of anger is reserved for people who are angry at artists for daring to be "political."

You know those people. The ones who can't stand Meryl Streep's acceptance speech at this year's Golden Globe awards.* The folks who think "Born In the USA" and "This Land is Your Land" are patriotic anthems, rather than the protest songs that they are. Your uncle who watches Fox News and thinks that Beyonce's costuming choices for her Super Bowl Halftime performance last year were anti-police and beyond the pale.

The underlying message that those people are trying to convey is this: "you are a robot. You many speak the words that we place in your mouth and no more. You may sing the songs that we like and no more. You may paint pretty pictures that we like and no more. How dare you express opinions that I** disagree with." 

I'm sure that some people think that our art is "too political." Neither Ariela nor I keep quiet about how we feel about institutional racism, systemic misogyny, antisemitism, ableism, or any other form of bias that keeps people from achieving their all. We have greeting cards and art prints that refuse to place boundaries on love.*** Our ketubot all have an option to come with a text that places no limits on the gender of the people getting married.

We will not be your performing monkeys. We are humans, as are movie stars, famous musicians, performance artists and anyone who is on stage and entertaining you. We are entitled to our opinions and we are entitled to broadcast them in any way we choose.

You've been warned. My patience is up.

 

 

 

 

*There were problematic elements to that speech to be sure. But they were the inherent ableism, rather than the political message.

**Notice how the people complaining about "political art" are usually on the right. Your average liberal might boycott or protest movie stars, musicians, etc that they don't agree with,**** but they don't tell them that they shouldn't speak their views.

***Granted, they depict zombies in them. But hey, we refuse to have exclusively heteronormative zombies on greeting cards.

****There is an underlying assumption working here that "political" means "thing I don't agree with." I honestly don't have the time and energy to unpack that in this post. Maybe next time.

The Saga of a Knitting Project, or Why I Don't Knit Wedding Presents Anymore

by Terri

Note: unlike Ariela, my creative skills did not manifest in an ability to draw with any proficiency. While this post will be liberally illustrated with photographs, it will not contain chibis.

Back in 2008, two of my best friends announced that they were engaged and would be getting married the following June. I was asked to be a groomsmaid. Ariela was making their ketubah, and I was going to knit them a beautiful heirloom afghan. At that point, I'd been knitting pretty steadily for around 3 years. I'd made socks, a much smaller blanket than I was planning, scarves, hats, and a lace shawl. I'd even designed a fingerless mitt pattern.

I was going to use pattern squares from The Great American Aran Afghan book and alternate them with some plain stitch pattern squares. I was going to borrow a technique from the blanket I'd already knit and get myself out of having to sew every square together. It was a brilliant plan, and the blanket would be ready by their wedding. 

HAH.

Image shows one of the plain squares in progress. It is a dark blue yarn, knit in seed stitch.

Image shows one of the plain squares in progress. It is a dark blue yarn, knit in seed stitch.

I started knitting the afghan in October of 2008, after confirming colors with the recipients. I was chugging along on a project that I had no idea was biting off way more than I could chew. Initially, the afghan was going to have 5 strips of 4 squares each. I'd done a little swatching, so I knew how to get a one foot square from the yarn and needle size I thought would work for all the squares* in the plain blue squares. I was working from cable charts that I wasn't entirely sure how to read, and disregarding actual pattern instructions willy nilly.** 

It's now too long ago to remember exactly why I slowed down the work. My personal life was kind of a mess, I was working full time and beginning to start part time community college. The notes in my Ravelry project page are sparse. I just know that Josh & Liz were married on June 28, 2009 and that the afghan was far from finished. I have a note saying that I needed to get working on the afghan again from December 2010. By then, they'd been married for a year. I think I had finished one strip of 4 squares.

In February of 2011, I got engaged. Both Liz & Josh were going to be in our wedding. By March of that year, I'd picked up the afghan knitting again, thinking that it would be a good "thank you for being in our wedding party/2 year anniversary gift." I finished a second strip and attached that to the first so I could have an idea of what the thing was actually going to look like. That was when I should have noticed that ignoring how I was measuring things was going to make the project hard to fit together, but the bulldozer in me decided it was all going to be FINE. It's a good thing I didn't plan on knitting anything for my actual wedding that August, since wedding planning basically ate my life. 

Ariela and Benjamin's afghan in progress on a lovely sunny day in New York City.

Ariela and Benjamin's afghan in progress on a lovely sunny day in New York City.

Every so often, I would pull out the afghan and knit a couple of rows. It bored me at that point. I would joke with Josh & Liz that it would be done for their "X anniversary." When Liz went to California to do her PhD and Josh had to stay behind in New York City, I told them that it would be done by the time they were living in the same city again (giving me a three year window for Liz's coursework to be completed), or at the very least before their first child was born. In the interim, I cast on and completed another wedding blanket - this one for Ariela and her husband. In contrast to the epic afghift, this one only took just over a year to complete.*** In 2013, I got pregnant with my daughter, and then baby knitting consumed my entire brain. Then my daughter was born, and I had no brain left to think about knitting anymore.

Image shows afghan as of August 18, 2015. It is composed of three strips of 4 squares each. 8 of those squares are blue seed stitch, 8 of those squares are green (the light is very yellow saturated, but I promise they're green) in various cable patt…

Image shows afghan as of August 18, 2015. It is composed of three strips of 4 squares each. 8 of those squares are blue seed stitch, 8 of those squares are green (the light is very yellow saturated, but I promise they're green) in various cable patterns.

In 2015, I decided to do a project running around on social media called #yearofmaking. I would dedicate more efforts into my various projects and finish some of the things lying around my baskets, documenting the process along the way. I decided that this would be the year I finished knitting that damn afghan. The fact that Liz had moved back to New York to write her dissertation and they were expecting a baby may have motivated some of those decisions.

I'm not a monogamous knitter by nature. I have a big problem with startitis, and people did persist in having kids that year that needed wee baby sweaters. But by August 2015, I had finished the third afghan strip. I seamed it with the other two and realized that If I made the entire afghan as I'd originally planned it, It would be huge. And that I had no interest in doing that. So culled two pattern squares from the 4 left in the initial project plan and decided that they would be it. And to my credit, I did finish the afghan by September 21, 2015. Well, I finished knitting it anyway. And I got a baby sweater done for Josh & Liz too.

The thing about knitting a project this big is that just finishing the knitting isn't enough. The picture accompanying this paragraph demonstrates this to significant effect. The edges are really funny looking, pulling in in some places and puckering out in others. The pattern squares aren't the same size as each other, let alone all the plain squares. There are yarn ends all over the place from changing colors and balls of yarn. In order to turn that mess into something that would look respectable on someone else's couch, you need to employ the magic of blocking.

The afghan as of September 21, 2015. All of the pieces are knit, seamed together and edged in crochet.

The afghan as of September 21, 2015. All of the pieces are knit, seamed together and edged in crochet.

Image shows me holding a very small steamer over the afghan all pinned out on our IKEA sofa bed in the bed position. This is what one kind of blocking looks like. 

Image shows me holding a very small steamer over the afghan all pinned out on our IKEA sofa bed in the bed position. This is what one kind of blocking looks like. 

Depending on the size of your project, blocking can be simple or it can be complicated. When I block a pair of fingerless mitts, I dunk them in the sink with some wool wash, wring them out, then lay them out on a dish drying mat until they are dry and ready to go. A baby sweater can take the same dunk, but needs to be wrapped up in a hand towel and then stomped on to get the bulk of the water. As you increase size and various elements of complexity, wet blocking stays relatively simple, but you start needing bigger surfaces to dry the project on.**** With a shawl, you often have to pin it into the correct shape while wet so that it drys in that shape.

With something as big as this afghan, I'd have needed to soak it in the bathtub for it to get properly wet. And it still needed a huge surface to dry on. Also, since the edges were so weird, it would need to be severely pinned in place to ensure that they would dry straight. And in our first Boston apartment, we didn't have any space that big. We did have a futon, but ever since setting up the crib in our daughter's room, it stayed a couch. There was also a desk in that room, so it was hard to open the futon. And our little baby was no longer a lump that would stay put. She was mobile and inquisitive. I honestly didn't know where I would be able to block the afghan. So it sat in a box for almost another year.

December 20, 2016. The afghan is seamed, edged, blocked, and all the ends are woven in. 8 years after casting on, the afghan is done. It is 4 squares by 4 squares.

December 20, 2016. The afghan is seamed, edged, blocked, and all the ends are woven in. 8 years after casting on, the afghan is done. It is 4 squares by 4 squares.

When we moved to our new apartment in July of 2016, we got a third bedroom. We purchased the IKEA sofa bed the previous tenants had in that room, put our big heavy desk in there, moved all my yarn in, and made it the office/craft room. It would also be the spare bedroom for when we had guests stay over. 

We unpacked the house, got rid of the boxes, and still I had a box labeled "Hibernating WIPs***** and Josh & Liz's afghan." It never seemed the right time to deal with the monster. 

In December, we had some good friends stay over. I was unmaking the bed from their stay and noticed the box in the corner. I decided that I would just take care of the afghan right then and there. I pinned out the blanket so that it covered most of the bed's surface. I plugged in my teeny handheld steamer and ran it over and over the afghan, relaxing the stitches with the warm water vapor. I let it sit drying for over a day. And when I unpinned it, it stayed basically the same shape. I sewed in all the loose yarn ends and trimmed them. On December 20, 2016, the afghan was finally finished. I wrapped it, put it in a box, and mailed it off to Josh & Liz, where it now sits on their couch.

The afghan in its correct home, only 7 years too late.

The afghan in its correct home, only 7 years too late.

I learned a number of things knitting this afghan. Here are some of them, though this is not an exhaustive list:

  • The definition of "portable" is malleable and really means "anything that will fit in my messenger bag."
  • I hate crochet, but I can do it smoothly enough, and now know how to turn corners.
  • I can fix cable mistakes from the wrong side of the knitting
  • When I began the project, I vastly underestimated this particular undertaking
  • There isn't much I won't do for friends. Introduce them to the love of their lives, crochet, shackle myself to a seemingly unending project...
  • Two rounds of single crochet around 16 square feet will use most of a 50 gram ball of yarn.
  • No matter how much I love you, I'm getting something from your registry as your wedding present.******

Now that it's done, I am trying to reassure myself that I'll never take on something this ridiculous again. Check back with me in a few years to see how that went, OK?

 

 

*SPOILER ALERT: I was wrong

**This wasn't the first time, and it sure wouldn't be the last time

***I thought that this project was much more reasonable. It was a single pattern, knit from the center out. I still wound up hating it.

****And bigger towels to wring the project out with

*****Works In Progress

******This is why there is a line in the Fiber Artists Oath that says "I pledge to be honest with myself about my production speed and remember that it really is okay to give even very beloved people a gift other than a handmade Something."

Well, That Was A Thing

by Terri

Image shows all of our art neatly hung on its pegboard display. There is quite a lot of it.

Image shows all of our art neatly hung on its pegboard display. There is quite a lot of it.

As we said back on January 9, Ariela and I were both at Arisia this year. I attended* panels, went to a party, spent way too much money on really fun things, had some awesome conversations with Ursula Vernon (the writer Guest of Honor), and we both had a stake in the Art Show.

This year, Arisia completely changed their art show format. In past years, pieces were entered at a starting auction price with a "quick sale" price option.** If you wanted to sell multiples of your work, you had to put them in a separate area of the show referred to as Print Shop. This format is largely a holdover from when most of the art brought to a show like this was original pieces, rather than print reproductions. There's still a whole lot of original art at these shows, but since quality prints have become much more accessible to a small-scale artist, it's less common to bring your original paintings.***

The new format did away with auctions altogether, with every piece of that was art for sale entered at a fixed price. Multiples of any piece were permitted. This means that if you are primarily a print based artist, you could bring up to 10 of anything you could fit into the panel space you paid for. We brought a couple of some pieces, more of others, mostly as a test run to see what would actually sell at Arisia. Last year (with the auction format), only two pieces from a single panel full of art sold. This year... Well, they say a picture is worth 1,000 words, so have a picture of what the display looked like before we checked out.

Image shows Ariela in her chibi outfit next to two panels of mostly empty pegboard. There are a few pieces of art (and lots of greeting cards), but most of what you see is brown.

Image shows Ariela in her chibi outfit next to two panels of mostly empty pegboard. There are a few pieces of art (and lots of greeting cards), but most of what you see is brown.

In retrospect, I should have seen this coming when art starting growing legs and money during the Friday night reception for convention staff and Guests of Honor. At various points during the weekend, I would wander into the Art Show to "be nervous at the art." This was my shorthand for going into the display, straightening things and surreptitiously counting what we'd sold. Every time I went in, there was less art to be nervous at. By Sunday, we had 5 or 6 prints left (and lots of greeting cards). We had brought 74 pieces of art (this includes the cards). By Monday morning checkout, we had sold 38 pieces, mostly prints.****

We are still somewhat stunned at the results of this. The con crud hit both of us hard enough that the sheer jumping up and down for joy has not yet been able to happen. But I'm starting to make plans for us to be at other art shows, and both Ariela and I have some confidence that people actually want our art and will pay us money for it. That this isn't just a pipe dream, but a viable business proposition. We thank everyone who bought a piece or told someone that they should buy a piece for helping us know this.

See you next year!

 

 

*This being the 4th year of having a certain Small Human at the convention, but only the second year having her in the convention's full time babysitting, actually getting out and doing the things I wanted to do was kind of a novelty.

**Rather like eBay's "Buy It Now" pricing on auctions.

***For one thing, the prints take up way less space and transport far more easily.

****It turns out that people in the Northeast want Valentine's Day cards and cards telling people to take care of themselves, but not much else. People in the Midwest are nicer and like sending cards for all sorts of occasions. 

Year in Review

by Terri & Ariela

"Well, that was interesting*." ~ Just About Everyone

It's been a year. There were plenty of highs and just about as many lows. We released 14 products, discovered that Ariela is eligible to be nominated for awards (more on that later), did our best to keep Combover Caligula out of the White House (didn't succeed on that one).

Picture shows chibi Terri and chibi Ariela toasting with champagne flutes. Terri is giving the thumbs up.Not pictured is the next frame, where Ariela is passed out after drinking half a glass of champagne.

Picture shows chibi Terri and chibi Ariela toasting with champagne flutes. Terri is giving the thumbs up.
Not pictured is the next frame, where Ariela is passed out after drinking half a glass of champagne.

Some important numbers from Geek Calligraphy in 2016:

  • Got our 1st business license (in Chicago, you need to renew every two years, so this is the first of many)
  • Launched 1st ecommerce website
  • Launched social media presence on 3 platforms: Facebook, Twitter, Tumblr
  • Released 14 new products since launch
  • Donated items to 2 charities, raising a total of $196
  • Hung art in 4 art shows in 3 states
  • Ariela started scribing her 1st sacred text (Megillat Ester/Scroll of Esther)

We now have 14 art prints, 8 greeting cards, 5 ketubah designs, 3 miscellaneous Judaica products, and several small add-ons.

When Ariela was first signing up for our website platform (we use SquareSpace because of our ketubah form needs), she was debating between two service packages, one which allowed a maximum of 20 products and a more expensive one that allowed for unlimited items. We're rather thrilled that we need the latter.

Before the nomination period for the 2016 Hugo Awards closed (back in March), Terri noticed something very interesting. Well, first off she noticed that the Artist categories delineated by the Hugos were rather antiquated and no longer reflect the SF/F art landscape. But in her examination of the categories she realized that because our art has been shown at convention art shows, Ariela is eligible for the Best Fan Artist** award. Due to yet another instance of #Puppygate, a last minute campaign did not get enough nominating ballots to put Ariela on the list. We are hoping that in 2017, the air will clear some. 

Since Geek Calligraphy art has been hung in convention art shows in 2016, once again Ariela is eligible to be nominated for the Fan Artist Hugo. If you are in a position to nominate, we hope you will consider her work.

It's been a good first year for Geek Calligraphy, PCA (present circumstances aside).

Our efforts to make the world a better place continue.  While we were blindsided by the results of the election in November, we have both gotten back up and are doing our best to keep fighting. Each of us has our preferred social justice avenues in our private lives, but here at Geek Calligraphy we will continue to make art. We hope it will inspire you, help you feel less alone, and help you to keep getting up each day. And we're gearing up to meet 2017 head-on.

 

 

*The sort implied in "may you live in interesting times," or "Oh god, oh god, we're all gonna die!"

**"But wait," we're hearing the peanut gallery declare, "Ariela and Terri make money from the art. Doesn't that make Ariela a professional artist?" NOPE! The Pro Artist category requires your art to have appeared in a for-sale print publication (magazine/book cover, book illustrations, etc). This means that you could be making a primary living from art, but unless you've been published that year, you're just a fan. Hence the reference to antiquated categories.***

***TERRI'S NOTE TO SELF: We do not have time/bandwidth to submit a proposal to the 2017 WSFS Business Meeting. We do not have time/bandwidth to submit a proposal to the 2017 WSFS Business Meeting. We do not have time/bandwidth to submit a proposal to the 2017 WSFS Business Meeting. We do not have time/bandwidth to submit a proposal to the 2017 WSFS Business Meeting.

Custom Ketubah for Terri: A Customer's Perspective

By Terri

Ariela and I have known each other since sometime in the fall of 2004. Our friendship has outlasted a total of 3 serious relationships, as many as 6 casual ones and has been going strong through two marriages (when for some reason, friendships can fall apart). We've kept in touch across an ocean, the distance from Boston to Chicago, and across a few New York City blocks. Even back in 2008, when I was dating someone who is now happily married to someone else, Ariela had claimed "dibs" on my ketubah. I was working at The Judaica House at the time, and knew just how valuable a gift I'd been offered. I also was in a unique position to know exactly what I wanted out of my ketubah. Unsurprisingly, what I thought I wanted turned out nothing like what I ended up with. This is because Ariela is one of the best artists I know, and an incredibly intuitive person when it comes to design. It's also because what Matthew wanted out of the ketubah he was going to be giving to his future wife wasn't like the image I had in my head in 2008.*

I had been thinking about a standard text in a fairly unique font with intricate border art that had lots of hidden images of things that were meaningful to me and my future husband. Mostly these things were geeky - every man I've seriously dated was just as big of a geek as I am. After Matthew proposed, I got an email with this sketch attached:

Image shows a scribbled sketch on notebook paper which will be explained. Also there is a Caspi all-Hebrew ketubah text superimposed on the image.

Image shows a scribbled sketch on notebook paper which will be explained. Also there is a Caspi all-Hebrew ketubah text superimposed on the image.

The sketch came from the wild corner of Ariela's brain where her muse lives, and is the back of a cuckoo style clock with a dragon nesting in the base. There are a few balls of yarn in the eaves, and a scribbled firebird coming out of the dragon's nose.** She apologized that it wasn't at all like the original designs we had thought of, but I reminded her that when I'd conceived those designs it was three years ago and I was a different person then. Now I wanted something that Matthew and I would enjoy. 

I asked Ariela if there would be visible clock gears. She informed me that some of those scribbles were meant to suggest them. I thought that there should be books in the eaves, because while I love to knit for Matthew, he doesn't have the same feeling about yarn that I do. During a brainstorming session with the three of us, Matthew mentioned that he liked dolphins, and Celtic knot work. I wanted there to be a few things in there that brought back how we met. If you look very carefully, you will see that one of the books is Women At the Seder. Matthew and I first really became friends at a seder, and that's the haggadah I was using that night. Matthew wanted some specific comic collections among the books (can you guess what they are?), and I asked for some Manheim Steamroller sheet music, because it reminded me of my father. There is a stuffed bear that Matthew bought in Australia that has always reminded me of Paddington Bear, so Ariela drew that bear with a similar hat. The biggest nod to Matthew is something that was part of the design since its inception, though the sketch doesn't show it. All around the clock is a Hebrew verse from שיר השירים, Song of Songs, rendered in binary. The verse states: "I am my beloved's and my beloved is mine."

After the brainstorming, the process was largely hands off for me until sometime in July. Ariela would send me sketches of the progress she was making, I would send back lots of exclamation points and typed squeeing. Sometimes I would remind her that while this might be a difficult design, at least I wasn't making her paint a dozen red roses like some of our friends. When she had trouble finding something specific (the sheet music), we tried to figure out a way to include the idea, if not the precise object. When Ariela told me that the font I had long lusted after really didn't mesh with the art, I trusted her.

In July, I sent Ariela the text for the personalization. In early August, she had the art painted and the text ready for me to proofread. At that point, it was done and I didn't think too much more about it. I was dealing with wedding dress fittings, the fact that I was invited to three weddings on either side of my own, and the myriad other tiny details one has to worry about when getting married.

My wedding photographer really digs on process shots. There are a whole bunch of pictures of my getting my makeup done, my mom putting my earrings in and fastening Matthew's boutonnière into his jacket, stuff like that. When he found out that my friend was painting and calligraphing my ketubah, he asked if she could bring it to the wedding with some inking left to do so he could get photographs. 

Ariela finishing the last line of the ketubah at my wedding while we were all getting hair and makeup done.

Ariela finishing the last line of the ketubah at my wedding while we were all getting hair and makeup done.

I honestly couldn't have asked for a better ketubah, one that really tells the story of my relationship with my husband and suits our style and the general decor of our home. It is a beautiful piece of artwork and a wonderful wedding gift from one of my best friends.

My ketubah, in all its glory.

My ketubah, in all its glory.

*For one thing, he was dating someone else entirely.

**Based on this LiveJournal post.

Buy Our Stuff, Help People!

By Terri

Image shows Patrick Rothfuss (A Famous Author) holding a very cute lamb.

Image shows Patrick Rothfuss (A Famous Author) holding a very cute lamb.

Ariela is a huge Patrick Rothfuss fan. Even before there was a business, she was trying to figure out how to contribute art to his annual fundraiser for Worldbuilders. This year, they took two of our prints for their auction. The ever popular Coder's Oath, as well as our Families That Game print. If you've been looking to buy one of these pieces and want to contribute to a good cause, please check out the links!

Reminder that if you want to make sure that any gifts you purchase directly from us (as opposed to from Worldbuilders) arrive by December 24, you need to order them by December 14.